Vol. 11 No. 2 (2023): Caminhos do Cinema Negro Brasileiro: afeto, memória e território

Apresentação

Caminhos do cinema negro brasileiro afeto, memória e território

Naira Évine Pereira Soares, Luciana Oliveira Vieira, Marise da Silva Urbano

11-23
- Grau Zero, v. 11, n. 2, p. 11 (Português (Brasil))

Artigos

Quilombo Black and Indigenous Cinema Exhibition reflections on territory, memory and space

Roseane Monteiro Virginio, Beatriz Souza Vilela

25-45
- Grau Zero, v. 11, n. 2, p. 25 (Português (Brasil))
Black family affective construction of representations in soap operas

Victor Adriano Ramos

47-67
- Grau Zero, v. 11, n. 2, p. 47 (Português (Brasil))
Shot the family and stepped into the cinema legitimizing the identity of actors in “Nossa mãe era atriz”

Régis Orlando Rasia

69-89
- Grau Zero, v. 11, n. 2, p. 69 (Português (Brasil))
Me black, from alecrim, and screenwriter; in my creative processes

Angela Silva de Jesus

91-111
- Grau Zero, v. 11, n. 2, p. 91 (Português (Brasil))
Reclaiming the image using the photographic flam to emancipate the identity

Irislane Mendes Pereira

113-129
- Grau Zero, v. 11, n. 2, p. 113 (Português (Brasil))
Photofilm and black representation in “Travessia” (2017), by Safira Moreira

Mateus Silva de Souza, Maria Beatriz Colucci

131-146
- Grau Zero, v. 11, n. 2, p. 131 (Português (Brasil))
About affections, memories and territories in the experiences of elderly black people a reading of the short films O velho rei e O dia de Jerusa

Alex Santana França

147-163
- Grau Zero, v. 11, n. 2, p. 147 (Português (Brasil))
Underrepresentation, stereotypes and subjectivation of black women analysis of brazilian cinema

Larissa Ferreira Rodrigues, Venícius Bernardo do Nascimento, Ana Thiena Apoliano

165-177
- Grau Zero, v. 11, n. 2, p. 165 (Português (Brasil))
(Re)Thinking film directing a look at black brazilian women directors

Luciana Oliveira Vieira

179-202
- Grau Zero, v. 11, n. 2, p. 179 (Português (Brasil))
NEGRUM3 an aesthetic manifesto of activist cinemas

Thaís Vieira Costa

203-218
- Grau Zero, v. 11, n. 2, p. 203 (Português (Brasil))
Character design as an image composition and starting point for analyzing the representation of black characters in contemporary brazilian cinema

Luciana Soares de Medeiros

219-243
- Grau Zero, v. 11, n. 2, p. 219 (Português (Brasil))
Cajá dos Negros a film on the demand

Fernando Santos, Israel Oliveira

245-260
- Grau Zero, v. 11, n. 2, p. 245 (Português (Brasil))
Black Screen cinema as a support for black women’s narratives

Luana Silva Costa

261-280
- Grau Zero, v. 11, n. 2, p. 261 (Português (Brasil))
Traces of self-writing in the short-film À beira do planeta mainha soprou a gente

André Silva Castro Neto, Claudemar Oliveira Rodrigues

281-292
- Grau Zero, v. 11, n. 2, p. 281 (Português (Brasil))
The black body in performance for the camera as counter-hegemonic discourse

Juliana Ferreira Torres

293-310
- Grau Zero, v. 11, n. 2, p. 293 (Português (Brasil))
The meaning of sound in black cinema an initial note based on feeling to think about the production of sound narratives

Gabriel Muniz, Marise da Silva Urbano

311-322
- Grau Zero, v. 11, n. 2, p. 311 (Português (Brasil))
The affective and ancestral experience in black cinema

Thais Alves dos Santos

323-326
- Grau Zero, v. 11, n. 2, p. 323 (Português (Brasil))

Resenhas

Um mar de memórias

Izabel de Fátima Cruz Melo

327-330
- Grau Zero, v. 11, n. 2, p. 327 (Português (Brasil))

Entrevistas

Entrevista concedida por Lilian Solá Santiago

Naira Évine Pereira Soares, Luciana Oliveira Vieira, Marise da Silva Urbano

331-335
- Grau Zero, v. 11, n. 2, p. 331 (Português (Brasil))

Vol. 11 No. 2 (2023): Caminhos do Cinema Negro Brasileiro: afeto, memória e território

Full Issue

Apresentação

Caminhos do cinema negro brasileiro afeto, memória e território

Artigos

Quilombo Black and Indigenous Cinema Exhibition reflections on territory, memory and space

Black family affective construction of representations in soap operas

Shot the family and stepped into the cinema legitimizing the identity of actors in “Nossa mãe era atriz”

Me black, from alecrim, and screenwriter; in my creative processes

Reclaiming the image using the photographic flam to emancipate the identity

Photofilm and black representation in “Travessia” (2017), by Safira Moreira

About affections, memories and territories in the experiences of elderly black people a reading of the short films O velho rei e O dia de Jerusa

Underrepresentation, stereotypes and subjectivation of black women analysis of brazilian cinema

(Re)Thinking film directing a look at black brazilian women directors

NEGRUM3 an aesthetic manifesto of activist cinemas

Character design as an image composition and starting point for analyzing the representation of black characters in contemporary brazilian cinema

Cajá dos Negros a film on the demand

Black Screen cinema as a support for black women’s narratives

Traces of self-writing in the short-film À beira do planeta mainha soprou a gente

The black body in performance for the camera as counter-hegemonic discourse

The meaning of sound in black cinema an initial note based on feeling to think about the production of sound narratives

The affective and ancestral experience in black cinema

Resenhas

Um mar de memórias

Entrevistas

Entrevista concedida por Lilian Solá Santiago

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